That can be a near-direct lift (Jay Z’s “Izzo” sees West add drums to a pitched-around version of the Jackson 5’s “I Want You Back”) or more oblique–as in “Runaway,” where he takes the Backyard Heavies drum loop that Pete Rock famously sampled on “The Basement” and wrapped in salmon-colored silk and antipathy. His best work takes something recognizable and bends it into his orbit. ![]() Kanye’s career has always been about appropriation, and the moment when appropriation bleeds into synthesis. Two and a half years later, North West has a younger brother, her parents are married, and Yeezus remains perhaps the most divisive album of the decade. Finally he lets the songs - which take the industrial sides of Chicago drill and acid house and molds them into a midlife crisis - do the talking. I felt that I had a real talent in chopping and appropriating music.” He’s self-deprecating when he compares himself to Andy Warhol (“I’m a black guy, so I’m gonna name the most obvious artist in the world”), but he means it. “I found that when I would drop samples, my friends would react to it more. “I wanted to make something of impact,” he says of his earliest experiences in making music. So he sends out a few emails and makes it happen.īefore he hits play on the songs (he does so from his custom matte-black MacBook Pro, no MPC), he ambles through a disjointed, staccato monologue: Steve Jobs, the ugliness of the YouTube player, ad agencies, being a “very commercial celebrity boyfriend.” But mostly, he wants to talk about the act of appropriating. But, it’s Art Basel, and Kanye has been sufficiently moved to stage an impromptu listening session for his seventh solo album, the then-unreleased Yeezus. He’s in Switzerland, of all places - not where most expectant fathers are when their nine-months-pregnant fiancées are home in Los Angeles, at least one layover away. ![]() It’s early June 2013, and Kanye West is anxious. Move Mountains (Things Mi Love Pt 2)ĥ.Photo-Illustration: Kelly Chiello and Images by Getty Images One More Time Alkaline Mix Tape ExtendedĤ8. Sorted by > Sorted by album (Time) Sorted by song name (Characters) Sorted by other Album name Release Date Song New Level Unlocked 2016ġ3. New Level Unlocked was selected at number 3 in Billboard's '10 Best Reggae Albums of 2016'. His 'Champion Boy' single was remixed in October 2016 and used in an advertising campaign for the Red Stripe Premier League. In September 2016 he was nominated for a MOBO Award for the second time in the Best Reggae Act category, and announced the launch of a clothing line. His tour of the United Kingdom in June 2016 was beset by problems, with several cancellations due to security issues. In November he was featured on a remix of Shaggy's 'That Love'. He had hit singles in Jamaica that year with 'Champion Boy', 'Block and Delete', 'After All', '12 PM (Living Good)', 'Formula', and 'City'. In March 2016, Alkaline's debut album, New Level Unlocked, was released by DJ Frass Records, going on to top the Billboard Reggae Albums Chart in April, making him the first dancehall deejay to have a number one album on the chart for five years. It later emerged that Alkaline achieved his look by using contact lenses. He became known for his distinctive look, with bleached skin, blond dreadlocks, and apparently tattooed eyes, which prompted others to follow suit, with Brooklyn rapper Mace being hospitalized after his eye became infected. ![]() Lucia, responding by throwing the bottle back at the offender. His live shows have sometimes been controversial In March 2015 he was hit by a bottle during a show in Florida, and in February 2016 was hit in the head by a bottle while on stage in St. ![]() He became popular in Jamaica in 2013 with a series of singles. Alkaline (musician)( Earlan Bartley )【 6 albums 151 lyrics 】 Earlan Bartley (born 12 13 1993), better known as Alkaline, is a Jamaican dancehall recording artist.īartley began recording at the age of 16, and using the stage name Alkaline.
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